We’re having such a time reading about the work of interior designer Tony Duquette, his tutelage under Elsie de Wolfe, his many clients in Old Hollywood and his work with the costume designer Adrian. When Adrian left MGM to open his own Beverly Hills salon, it was Tony Duquette he turned to to create the interiors, advertising and displays.
Adrian Salon Beverly Hills
With “amaze me” as his only directive, Tony created dipped plaster elephants, plaster lace pagodas, plaster monkeys, bas reliefs and a scene of found objects. Only the artistry of Adrian’s gowns could withstand the dramatics of a Duquette staging. It was Adrian who created the look that would launch Jean Harlow as the original blonde bombshell. Harlow once said that without her hair color Hollywood would never know her name. We suspect those fitted silk gowns cut to accentuate always braless breasts and flow along every curve of her figure, also made her a star in films like Dinner at Eight and Hold Your Man.
We always did find her to have a funny looking face, and don’t much care for the extreme pencil thin eyebrows, even if it was the 1930s. We can’t imagine what her lover, William Powell faced first thing in the morning before they were painted on. Harlow surely slept in make-up…Nevertheless, we came to like her style and her attitude in films like Red Dust. But mostly we love her dresses. It’s what we adore about the 1930s. The decadence, the ultra feminine, the soft yet bold sexy. Though Adrian became better known for his stronger silhouettes created for Joan Crawford, particularly the padded shoulders, he knew how to tailor a dress to glorify any woman’s body and build character through costume.
Born Adrian Adolph Greenberg, the designer became known as Adrian during his career creating costumes for MGM film studios in the 1930s and 1940s. Adrian created costumes for over 200 films, many that we have loved. Dinner at Eight, The Great Ziegfeld, Grand Hotel, Marie Antoinette, Mata Hari, The Philadelphia Story, The Women. Too many to name, but classic film lovers will not have missed his work.
We thought we would take a detour from our readings on Duquette and celebrate the glamour and design in film costumed by Adrian
Greta Garbo – Mata Hari , 1931
Jean Harlow – Dinner at Eight, 1933
Joan Crawford Grand Hotel, 1932
Katherine Hepburn – The Philadelphia Story, 1940
Jeanette MacDonald – The Firefly, 1937
Norma Shearer – Marie Antoinette, 1938
Hedy Lamarr – The Great Ziegfeld, 1936